๐Ÿ”Ž #864. Wan 3.0 ํ”„๋กฌํ”„ํŠธ 9๊ฐ€์ง€์™€ ์ƒ์„ฑ ๊ฒฐ๊ณผ

์•ˆ๋…•ํ•˜์„ธ์š”?
๋งค์ผ ์‚ฌ๋žŒ์ด ์“ฐ๋Š” ๋‰ด์Šค๋ ˆํ„ฐ Daily Prompt์ž…๋‹ˆ๋‹ค.

์˜ค๋Š˜์€ Wan 3.0์— 9๊ฐ€์ง€ ํ”„๋กฌํ”„ํŠธ๋ฅผ ์ž…๋ ฅํ•œ ๊ฒฐ๊ณผ๋ฅผ ๊ณต์œ ๋“œ๋ฆฝ๋‹ˆ๋‹ค.


Wan 3.0 ํ”„๋กฌํ”„ํŠธ 9๊ฐ€์ง€์™€ ์ƒ์„ฑ ๊ฒฐ๊ณผ

์•Œ๋ฆฌ๋ฐ”๋ฐ”์˜ ์˜์ƒ ๋ชจ๋ธ Wan 3.0์„ Runway์—์„œ ์‚ฌ์šฉํ•ด๋ดค์Šต๋‹ˆ๋‹ค. ์ง€๋‚œ Kling 4 ์‹คํ—˜๊ณผ ๊ฐ™์€ ์•„ํ™‰ ์žฅ๋ฅด์—์„œ ์ธ๋ฌผ, ์žฅ์†Œ, ์†Œํ’ˆ๊ณผ ๋™์ž‘์„ ๋ฐ”๊ฟ” ์ƒˆ๋กœ์šด ์žฅ๋ฉด์„ ๋งŒ๋“ค์–ด๋ดค์Šต๋‹ˆ๋‹ค.

๋ชจ๋‘ ์ฐธ์กฐ ์ด๋ฏธ์ง€ ์—†์ด ํ…์ŠคํŠธ๋งŒ ์ž…๋ ฅํ–ˆ๊ณ , 720p | 15์ดˆ | 16:9 | ์˜ค๋””์˜ค ์ƒ์„ฑ ์ผœ๊ธฐ๋กœ ์„ค์ •ํ–ˆ์Šต๋‹ˆ๋‹ค. ์•„๋ž˜๋Š” ์‹ค์ œ ์ž…๋ ฅํ•œ ํ”„๋กฌํ”„ํŠธ์™€ ์ƒ์„ฑ ๊ฒฐ๊ณผ์ž…๋‹ˆ๋‹ค.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 1(์—ฌํ–‰ ๋ธŒ์ด๋กœ๊ทธ):

A 15-second travel vlog following the same young adult man with short curly brown hair, an olive-green jacket, and a rust-orange backpack through Lisbon on a bright breezy morning. Three shots in sequence: a handheld medium shot as he climbs a narrow tiled stairway; a close-up as he shows a fresh pastel de nata to the camera and smiles; a wide rear view as he reaches a sunny lookout above red rooftops. Keep his face, hair, jacket, and backpack consistent across every cut. Candid documentary rhythm, natural daylight, realistic street ambience and footsteps. No dialogue, music, captions, or graphic overlays.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 1 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 2(์ œํ’ˆ ๊ด‘๊ณ ):

A 15-second premium product film featuring a brushed stainless-steel manual coffee grinder with a walnut crank knob and a transparent glass grounds jar on a pale sage-green studio surface. Begin with a macro close-up of the metal crank joint. Cut to a three-quarter view as one adult hand steadies the grinder and the other slowly turns the crank through two complete rotations. Coffee grounds collect inside the attached glass jar. Both hands leave the frame, then finish with a slow camera arc around the stationary grinder. Keep the handle, jar, and proportions unchanged. Soft studio reflections, crisp mechanical grinding sounds. No logos, labels, extra parts, dialogue, or music.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 2 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 3(์‹œ๋„ค๋งˆํ‹ฑ ๋“œ๋ผ๋งˆ):

One continuous 15-second cinematic shot inside a nearly empty seaside diner at blue hour. An adult man in a tan corduroy jacket sits at a small table with two ceramic cups, one across from an empty chair. He glances toward the doorway, begins to smile, then realizes nobody is entering. He slowly lowers his eyes and turns the untouched cup's handle toward the empty chair, leaving his fingers resting beside it. A restrained smile fades into a quiet, thoughtful expression. Slow subtle camera push-in from medium shot to close-up. Cool window light mixed with a warm table lamp, understated acting, soft room tone and a faint ceramic scrape. No dialogue, music, or cuts.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 3 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 4(์ž์—ฐ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ):

A 15-second observational wildlife documentary shot of a single river otter beside a clear shallow stream in an autumn forest. In one continuous medium-wide side view, the otter steps off a low mossy rock, slips into the water, swims a short distance, then climbs onto a flat rock at the water's edge and shakes droplets from its fur. The camera gently pans to keep the whole animal visible. Natural limb movement and body proportions, water reacting to its weight, wet fur staying dark until the final shake. Real-time motion, soft overcast light, running water and small splashes. No slow motion, cuts, narration, or music.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 4 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 5(๋„์‹œ ํƒ€์ž„๋žฉ์Šค):

A 15-second locked-off high-angle time-lapse overlooking a riverside cycle path and a broad bridge in Seoul, gradually transitioning from late afternoon through sunset into blue hour. Clouds sweep overhead, cyclists and pedestrians move in accelerated streams along the same path, and vehicle lights flow steadily across the bridge. The bridge lamps switch on in sequence as reflections brighten on the river. Keep the bridge, skyline, railings, and trees structurally unchanged throughout. Smooth continuous changes in sky color and exposure, realistic accelerated urban motion, quiet distant traffic ambience. The camera stays completely stationary. No zoom, cuts, sudden day-to-night jump, captions, or music.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 5 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 6(๋Œ„์Šค ์˜์ƒ):

A 15-second full-body dance performance by one adult dancer wearing a burgundy bomber jacket, loose cream trousers, and black sneakers in an empty rehearsal studio with a wooden floor. In one uninterrupted frontal shot, the dancer performs two rhythmic side steps with coordinated arm swings, crosses one foot behind the other, unwinds into one controlled full turn, and finishes in a balanced low pose. Keep the entire body and both feet inside the frame. Locked-off camera, soft daylight from tall windows, clear contact shadows. Natural weight transfer, stable joints, grounded feet, consistent clothing and body proportions. An original simple instrumental funk beat and audible shoe taps. No vocals, cuts, other dancers, or text.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 6 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 7(์Œ์‹ ํด๋กœ์ฆˆ์—…):

A continuous 15-second extreme close-up of a small lemon tart with a golden shortcrust pastry shell on a blue ceramic plate. A silver dessert fork enters from the upper right and presses down once through the glossy yellow filling and crisp pastry edge. The pastry breaks into small irregular crumbs rather than bending. The fork separates one bite-sized piece and lifts it slowly, revealing the firm smooth lemon filling and leaving a clearly visible wedge-shaped gap. A few crumbs remain on the plate. Locked-off camera, shallow depth of field, soft morning window light, realistic fork pressure and food texture. A delicate pastry crack and quiet room tone. No stretching filling, melting, extra utensils, cuts, narration, or music.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 7 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 8(๋ฌดํ˜‘ ์•ก์…˜):

A grounded 15-second wuxia training scene in a stone courtyard beside a bamboo grove. An adult woman in an indigo robe stands on the left, facing an adult man in a sand-colored robe on the right. Each holds one wooden staff. In one continuous medium-wide shot, he steps forward with a single horizontal staff strike at waist height. She steps back, lowers her staff to block his, then pushes his staff gently aside. Both retreat one step and settle into guarded positions. Clear readable choreography, believable balance and staff contact, subtle lateral camera tracking. Keep their screen positions, clothing, and both staffs consistent. Wooden impact, footfalls, rustling bamboo. No flying, spinning attacks, injuries, slow motion, dialogue, or music.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 8 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 9(ํŒจ์…˜ ์ˆํผ):

A 15-second fashion editorial featuring the same adult model with shoulder-length auburn hair against a plain pale-blue studio background. Three full-body shots connected by two clean match cuts. First, the model wears a beige knit top and wide-leg cream trousers and raises a hand across her face. Cut at the peak of that gesture to the identical pose in an emerald-green tailored jacket and matching trousers. She lowers her hand and begins a half-turn; cut mid-turn to a dark navy sequined evening dress, then complete the turn and hold a confident final pose. Fixed camera, consistent face and hairstyle, shoes and full body always visible. Clothing changes only at cuts, never by morphing. Subtle fabric sounds, no music, dialogue, or text.

์˜ค๋Š˜์˜ ํ”„๋กฌํ”„ํŠธ 9 ์ž…๋ ฅ ๊ฒฐ๊ณผ:

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๋งˆ๋ฌด๋ฆฌ

  1. ๋น„์šฉ์€ ์‹œ๋Œ„์Šค์™€ ๋น„๊ตํ•˜๋ฉด ์–ด๋–จ๊นŒ์š”? Runway ๊ณต์‹ API ์š”๊ธˆ ๊ธฐ์ค€์œผ๋กœ 720pยท15์ดˆ ์˜์ƒ ํ•œ ํŽธ์„ ์ƒ์„ฑํ•˜๋Š” ๋น„์šฉ์€ Wan 3.0์ด $1.50, Wan 3.0 Prime์ด $2.10, Seedance 2.5๊ฐ€ $4.50์ž…๋‹ˆ๋‹ค. Wan 3.0 ์ผ๋ฐ˜ํ˜•์€ ์‹œ๋Œ„์Šค์˜ 3๋ถ„์˜ 1, Prime๋„ ์ ˆ๋ฐ˜ ์ดํ•˜์˜ ๋น„์šฉ์œผ๋กœ ์ƒ์„ฑํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
  2. ๋ชจ๋‘๊ฐ€ ์˜์ƒ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ๊ฒŒ ๋˜๋ฉด ์–ด๋–ป๊ฒŒ ๋ ๊นŒ์š”? ์˜ค๋Š˜์˜ ์ƒ์„ฑ ๊ฒฐ๊ณผ๋“ค์„ ๋ณด๋ฉฐ, ์˜์ƒ์„ ๋งŒ๋“œ๋Š” ํ–‰์œ„ ์ž์ฒด๊ฐ€ ์ ์  ๋ฌด์šฉํ•ด์ง€๋Š” ๊ฒƒ์€ ์•„๋‹๊นŒ ํ•˜๋Š” ์ƒ๊ฐ์ด ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. ์Šค๋งˆํŠธํฐ์œผ๋กœ ๋ˆ„๊ตฌ๋‚˜ ์‚ฌ์ง„์„ ์ฐ๊ฒŒ ๋˜์—ˆ์ง€๋งŒ ๋ชจ๋‘๊ฐ€ ์˜ˆ์ˆ ๊ฐ€๊ฐ€ ๋œ ๊ฒƒ์€ ์•„๋‹ˆ๊ณ , ์‚ฌ์ง„์„ ์ฐ๋Š” ์ผ ์ž์ฒด๋„ ๋” ์ด์ƒ ์ƒˆ๋กญ์ง€๋Š” ์•Š์œผ๋‹ˆ๊นŒ์š”. ๋ฌด์—‡์ด๋“  ๋งŒ๋“ค ์ˆ˜ ์žˆ๊ฒŒ ๋œ๋‹ค๋Š” ๋ง์ด, ์˜คํžˆ๋ ค ๋ฌด์—‡์„ ๋งŒ๋“ค์–ด์•ผ ํ• ์ง€ ์•Œ ์ˆ˜ ์—†๊ฒŒ ๋œ๋‹ค๋Š” ๋ง๊ณผ ๋งž๋‹ฟ์•„ ์žˆ๋Š” ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.
  3. ์•ž์œผ๋กœ ์˜์ƒ๋„ ๊ธ€์ด๋‚˜ ์‚ฌ์ง„์ฒ˜๋Ÿผ ์ผ์ƒ์ ์ธ ํ‘œํ˜„ ์ˆ˜๋‹จ์ด ๋  ์ˆ˜ ์žˆ๊ฒ ์Šต๋‹ˆ๋‹ค(์„ธ๋Œ€์— ๋”ฐ๋ผ ์ด๋ฏธ ๊ทธ๋ ‡๊ธฐ๋„ ํ•˜๊ณ ์š”). ์นœ๊ตฌ์—๊ฒŒ ๋†๋‹ด์„ ๊ฑด๋„ค๊ฑฐ๋‚˜ ๋จธ๋ฆฟ์† ์žฅ๋ฉด์„ ์„ค๋ช…ํ•˜๊ธฐ ์œ„ํ•ด ์งง์€ ์˜์ƒ์„ ๋งŒ๋“œ๋Š” ์‹์œผ๋กœ์š”. ๊ทธ๋ ‡๊ฒŒ ์˜์ƒ์˜ ์“ฐ์ž„์€ ๋Š˜์–ด๋‚˜๊ฒ ์ง€๋งŒ, ๊ทธ๋Ÿด๋“ฏํ•œ ํ™”๋ฉด์„ ๋งŒ๋“ค์—ˆ๋‹ค๋Š” ์‚ฌ์‹ค๋งŒ์œผ๋กœ ๊ด€์‹ฌ์„ ์–ป๊ธฐ๋Š” ์ ์  ์–ด๋ ค์›Œ์งˆ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์˜์ƒ์€ ๋” ๋งŽ์ด ์“ฐ์ด๋Š”๋ฐ, ๊ฐœ๋ณ„ ์˜์ƒ ํ•œ ํŽธ์ด ๊ฐ–๋Š” ํŠน๋ณ„ํ•จ์€ ์ค„์–ด๋“œ๋Š” ์…ˆ์ด์ง€์š”.
  4. ๋งŒ๋“ค์–ด์ง€๋Š” ์˜์ƒ์ด ๋Š˜์–ด๋‚˜๋Š” ๋งŒํผ ์šฐ๋ฆฌ๊ฐ€ ์˜์ƒ์„ ๋ณผ ์ˆ˜ ์žˆ๋Š” ์‹œ๊ฐ„๊นŒ์ง€ ๋Š˜์–ด๋‚˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๋‹ค๋ฉด ์–ด๋–ค ์˜์ƒ์„ ๊ณจ๋ผ ๋ณด์—ฌ์ฃผ๋Š”์ง€, ๋ˆ„๊ตฌ์˜ ์ถ”์ฒœ์„ ๋ฏฟ๊ณ  ๋ณด๋Š”์ง€๊ฐ€ ๋” ์ค‘์š”ํ•ด์งˆ ํ…๋ฐ์š”. ์ œ์ž‘์˜ ๋ฌธํ„ฑ์€ ๋‚ฎ์•„์ ธ๋„ ์‚ฌ๋žŒ๋“ค์˜ ๊ด€์‹ฌ๊ณผ ์ˆ˜์ต์€ ์†Œ์ˆ˜์˜ ํ”Œ๋žซํผ์ด๋‚˜ ์ฑ„๋„์— ๋” ์ง‘์ค‘๋  ์ˆ˜ ์žˆ๊ฒ ์Šต๋‹ˆ๋‹ค.
  5. ํ•œํŽธ์œผ๋กœ๋Š” ์˜์ƒ ๋ฐ”๊นฅ์˜ ๋งฅ๋ฝ์„ ๋” ๊ถ๊ธˆํ•ดํ•˜๊ฒŒ ๋ ์ง€๋„ ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค. ์–ด๋–ค ์žฅ๋ฉด์ด๋“  ์ƒ์„ฑํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด, ์ด ์‚ฌ๋žŒ์ด ์‹ค์ œ๋กœ ๊ทธ๊ณณ์— ์žˆ์—ˆ๋Š”์ง€, ๊ทธ ์ผ์ด ์ •๋ง ์ผ์–ด๋‚ฌ๋Š”์ง€๊ฐ€ ๋ณ„๋„์˜ ๊ฐ€์น˜๊ฐ€ ๋  ์ˆ˜ ์žˆ์œผ๋‹ˆ๊นŒ์š”. ํ˜„์žฅ ๊ธฐ๋ก์ด๋‚˜ ๋ผ์ด๋ธŒ ๊ณต์—ฐ, ํ•œ ์‚ฌ๋žŒ์ด ์˜ค๋žซ๋™์•ˆ ์ด์–ด์˜จ ์ž‘์—…์„ ๋ณผ ๋•Œ๋„ ํ™”๋ฉด์˜ ์™„์„ฑ๋„์™€ ํ•จ๊ป˜ ๊ทธ ๋’ค์— ์žˆ๋Š” ์‚ฌ๋žŒ๊ณผ ์‹œ๊ฐ„์„ ๋” ์‚ดํ”ผ๊ฒŒ ๋  ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.
  6. ์ƒ์„ฑ์ด ์ถฉ๋ถ„ํžˆ ๋น ๋ฅด๊ณ  ์ €๋ ดํ•ด์ง„๋‹ค๋ฉด, ๊ฐ™์€ ์˜์ƒ์„ ํ•จ๊ป˜ ๋ณด๋Š” ๋ฐฉ์‹๋„ ๋‹ฌ๋ผ์งˆ ์ˆ˜ ์žˆ๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ฐ์ž ์›ํ•˜๋Š” ์ธ๋ฌผ๊ณผ ์ „๊ฐœ๋กœ ์˜์ƒ์„ ๋ฐ”๊พธ๋ฉฐ ๋ณธ๋‹ค๋ฉด, ๊ฐ™์€ ์ œ๋ชฉ์„ ์ด์•ผ๊ธฐํ•˜๋ฉด์„œ๋„ ์„œ๋กœ ๋‹ค๋ฅธ ์žฅ๋ฉด์„ ๋– ์˜ฌ๋ฆฌ๊ฒŒ ๋˜๊ฒ ์ง€์š”. ๋ฐ˜๋Œ€๋กœ ๊ฐ™์€ ์žฅ๋ฉด์„ ๋ณด๊ณ  ๊ฐ์ƒ์„ ๋‚˜๋ˆ„๋Š” ๊ฒฝํ—˜์€ ๋” ๊ท€ํ•ด์งˆ ์ˆ˜๋„ ์žˆ๊ณ ์š”. ์˜์ƒ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋Š˜์–ด๋‚˜๋Š” ๋งŒํผ, ์•ž์œผ๋กœ๋Š” ์šฐ๋ฆฌ๊ฐ€ ๋ˆ„๊ตฌ์˜ ์˜์ƒ์„ ๊ณ„์† ๋ณด๊ณ  ์‹ถ์€์ง€, ๋ฌด์—‡์„ ํ•จ๊ป˜ ๋ณผ ๊ฒƒ์ธ์ง€๊ฐ€ ๋” ํฐ ์งˆ๋ฌธ์ด ๋  ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.

Seminar

[D-2 ํ• ์ธ ๋งˆ๊ฐ] ๋‰ด์Šค๋ ˆํ„ฐ๋ฅผ ๋ฆด์Šค๋กœ ์ž๋™ํ™”ํ•œ ๊ณผ์ •์„ ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค

10์›” 5์ผ๋ถ€ํ„ฐ Daily Prompt ๋‰ด์Šค๋ ˆํ„ฐ๋ฅผ ๋ฆด์Šค ์˜์ƒ์œผ๋กœ ๋งŒ๋“œ๋Š” ์‹คํ—˜์„ ์ด์–ด๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ง€๋‚œ ํšŒ์ฐจ ๊ธ€์„ ๋ฐ”ํƒ•์œผ๋กœ 2์ฃผ ๋งŒ์— ๋ฆด์Šค 49ํŽธ์„ ๋งŒ๋“ค์—ˆ๊ณ , ๋งŽ์€ ๋‚ ์€ ํ•˜๋ฃจ 20ํŽธ๊นŒ์ง€ ๋งŒ๋“ค์—ˆ๋Š”๋ฐ์š”. ์˜์ƒ ํŽธ์ง‘ ํ”„๋กœ๊ทธ๋žจ ์—†์ด ๋Œ€๋ณธ, ์Œ์„ฑ, ์ž๋ง‰, ๋ชจ์…˜๊ทธ๋ž˜ํ”ฝ๊นŒ์ง€ AI ์—์ด์ „ํŠธ์—๊ฒŒ ๋งก๊ฒผ์Šต๋‹ˆ๋‹ค.

์ด๋ฒˆ ์˜จ๋ผ์ธ ๋ผ์ด๋ธŒ ์„ธ๋ฏธ๋‚˜์—์„œ ๊ทธ ๊ณผ์ •์„ ๊ณต์œ ๋“œ๋ฆฝ๋‹ˆ๋‹ค. Codex์™€ Claude Code๋ฅผ ๋ชจ๋‘ ์จ๋ณด๋ฉฐ ๊ฒช์€ ์‹œํ–‰์ฐฉ์˜ค, ๋ฌด์—‡์„ ๊ตฌ๋…ํ•˜๊ณ  ์–ด๋–ป๊ฒŒ ์ง€์‹œํ–ˆ๋Š”์ง€, ์‚ฌ๋žŒ์ด ๋๊นŒ์ง€ ํ™•์ธํ•ด์•ผ ํ•˜๋Š” ๋ถ€๋ถ„์€ ๋ฌด์—‡์ธ์ง€ ์ •๋ฆฌํ–ˆ์Šต๋‹ˆ๋‹ค. ์„ธ๋ฏธ๋‚˜๊ฐ€ ๋๋‚˜๋ฉด ์‹ค์ œ๋กœ ์‚ฌ์šฉํ•œ ๋ฆด์Šค ์ œ์ž‘ ์Šคํ‚ฌ๋„ ํ•จ๊ป˜ ๋“œ๋ฆฝ๋‹ˆ๋‹ค.